the new album from ian brown as vinyl lp with download code included.

unkles 1998 debut masterpiece back on double vinyl.

second va compilation from de lichting on double vinyl.

utopia cloak arrives on film with six track ep, marina gardens. utilising both electronic & acoustic components, the british producer crafts hazy, dynamic electronica with a decidedly emotive bent. the music explores a curious production aesthetic - at once half sunk and at the same time gloriously crisp and direct. caustic drum machine hits underpin the majority of the work, compete with polyrhythmic rolls & glitches, while softly warping synth lines occupy the majority of the remaining sonic space. rather than working explicitly with nostalgia, utopia cloak makes more subtle references to the classic sounds of yore - riffing on downtempo & idm with gentle and considered nuance, eking out arcane hooks & rich melodies with a pleasing focus on compositional structure & songcraft. contrast is the key here, though - and utopia cloak works hard to find the balance between metallic per-cussion strikes and wide-angle instrumental elements, avoiding chaos in favour of a lush, rewarding lis-tening experience.

limited vinyl release of cite lumiere’s album “le songe de kepler”, featuring additional remixes from apollo noir, domotic and delodio.

this time in calypso, aristidez takes us on journey trough the streets of lima peru. the chaos and the spirituaity of this old country are noticable on all of this tracks. rumbling percussions and vocals, harmony and rythm, darkness and light all come togeter through the use of samples to show the quality of this young up and coming producer. -nada nada- it s the mantra that will help you go through the morning in a grey and cloudy city. -reyerta- represents the violence of many latin american cities having a hard time. evoca its the mix between the first two where peace and violence find them selves in a catarchic release of energy. symple symmetry brings the tempo up for their nada nada remix asking everyone -what happens after death

quest, transit, chaos, mutation, transfiguration, ascension and illumination. these are some of the steps followed in the journey of life that are embodied on each track of the album adonai. the solo debut of the multi-instrumentalist composer marco paul condenses a career of more than ten years, in which, the search for the truth of oneself and authentic sound has traveled and nurtured from different genres and cultures. adonai is an odyssey that combines sounds and images of the earthly and oneiric worlds: an audiovisual work that opens several windows to the different perceptions of the facts that make up the life of the human being. the 180 gram vinyl includes a download code.

dawn state is inspired by personal experiences of encountering the sublime amidst chaos, often taking place in the early hours of the morning... our intention is to create a soundtrack for this moment. moniker is a collaborative project between forest drive west (livity sound) and tim gee, exploring the deeper shades of techno.

desperate music for desperate times, collin strange returns to the label with a hard hitting ep of 90s style warehouse acid. this is remorseless, zero compromise, full fledged acid mayhem start to finish in the truest sense of the word, coming direct from the source. strange does what he does best pushing his 303, 101 and 909 to their limits with extreme intensity and abandon. if siege made electronic music this is what it would sound like. punk electronics for those who thrive on everyday chaos of the new world disorder. no trance to be found here.

after 5 years of silence, dadub are summoning their magic spell on bas006 , rituals of resistance makes use of tribal drums, ghostly echoing samples taken from the collective consciousness. emotive techno in it s dubbiest prime evokes scenes of territories uncharted by global repression. dadub present their very own vision of techno politics. not shy to tap into a glitch, familiar sounds emerge from a well orchestrated chaos. an acutely bass driven sense for rhythm combines with the inevitable esoteric beauty of hand-crafted italian techno. this is the sound track for all those who yearn for an inner revolution.

millennium techno and big room trance reinterpreted by herrrouine & gomorra. two swiss artists debuting their first record together on their own label.

rich oddie (orphx) and dave foster (huren/teste) return under their punk/industrial/scum electronics moniker o/h. these 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness. open filter feedback drenched ms-20 and punishing 909 beats crash head-on throughout with foster s jello biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles s 80s porn vhs collection. controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. absolutely what the world needs right now (according to us).

die kunst von me + marie ist das brückenschlagen. zwischen epizentrum und peripherie, skizze und hymne, rausch und romantik. zwischen zustimmung und widerspruch. “double purpose” erzählt von der unauflösbaren verschränktheit der dinge. davon, dass es das eine nicht ohne das andere gibt: keine besinnlichkeit ohne chaos, keine romantik ohne die lust an zerstörung. keine leidenschaftliche nacht ohne verbitterte streits, keine ausschweifende fantasie ohne die gemeine wirkliche welt, die notorisch schwingt zwischen langeweile und ekstase wie die atomuhr der zweisamkeit. der song “double purpose” bringt die geschichte des albums auf den punkt. er war der erste song der nach dem vorgänger-album geschrieben wurde und der letzte der gerade noch auf die platte kam, nachdem er vorher wieder und wieder eingespielt und verworfen wurde.
die vinyl-lp erscheint inklusive downloadcode.

hard hitting techno joints, chaos, mayhem, in a good way! will cause havoc in clubs!

following the release of ‘untitled mcr’ with his late friend marcus intalex, spirit returns to inneractive with two fresh cuts, ranging from the frenzied chopping breakbeat chaos of ‘murderer’ to the icy, acid-inspired moodiness of ‘cold call’. dj support from randall, doc scott, dj marky, storm, digital, dj lee, mantra, double o among others.

bittersweet brings three hard hitting electro works and one lush electro-tech track from silicon. in a time of world chaos and disorder the strap, noise, and worms reflect this with double meaning lyrics and sonic push reminiscent of old silicon productions. wish brings the feeling of sweet hope and that all will be well with a crisp and clean sonic push

killer compilation that sheds light on oddball tunes made in australia and new zealand during the 70s and 80s. tip!

firmly imprinting their legacy, amoss & fre4knc present watermark volume 1, the first in a series of devastating collaborative releases. on their own superb, but when producing together, amoss & fre4knc are another beast altogether, an entity capable of untold chaos, with a proven track record. a naturally formed pairing of two minds intricately in sync, the watermark series represents an outlet for the amoss & fre4knc sound.

dark industrial edged techno. a various artist ep with stomping 4 to the floor material and serious breakbeat chaos. brace yourself and drop everything you are holding. the vinyl comes with a sticker of the labels iconic logo.

o phase presents two striking, no-nonsense techno cuts for token85. each side of suspended animation delivers the special kind of face melter that manages to remain sincere without being overly self-serious. stroke b favours the sensational approach, with a bright and playful lead playing against a hi-hat frenzy in the breakdown. stroke c is more introverted on surface level, but offers pure chaos instead from its depth.

hugo massien returns to e-beamz to complete his hat-trick of releases. this time out he brings arguably his most explorative and refined work to date.

last spotted tomfooling as tryck & ton with edvin edvinsson, and prior to that as tiedye on mike simonettis italians do it better imprint, subversive swede anton klint makes his debut on simonettis latest label 2mr with two more vitally trippy, heavily dub-informed originals. ‘mun chugs at a stately 107. rippling in places, squiggling in others, theres an unabashed fx weirdness bubbling and popping over the insistent shimmering dubwise groove. tweaking, freaking but running at such a smooth temper theres space between the chaos, anton is balancing some heavily hypnotic alchemy here. ‘strupe takes things even lower and slower. a dusty bluesy chugger, unhurried-yet-relentlessly building with a great sense of cosmic drama, listen and marvel as more elements are precision introduced throughout the seven minute trip. a masterclass in modern day honkytonk. remix-wise were thrusted into the later hours with a technoid twist from andre laos. maintaining antons originals trippy charm and measured pace but re-amping it with grittier foundation, teasing risers and an insurgent synth strike, its the perfect complement to one of 2mrs most singular releases to date. open wide.

wewillalwaysbealovesong is proud to welcome melchior sultana for his magnificent debut ep on the label. no remixes only originals, proper deep house only. dj support: dj yellow, folamour, john beltran, chaos in the cbd, kosme, ponty mython, munk, fouk, black loops, cody currie

ground is an osaka native, but his soul is truly that of a nomad, traversing the planet, befriending the kindred spirits found in humans, animals and plants. he is exceptionally receptive to the beauty in all that surrounds him—the incidental music of a busy city street, the orchestrated chaos of a scrambling radio, the syncopated grace of a migrating flock of birds, the simplicity of an isolated hand clap—and as his map continuously unfolds, he accumulates a vast catalogue of visceral tools to complex musically recount his experiences. sunizm is a cross section of the artist’s process—an array of complex microcosms overlapping to comprise a thematic whole—gathering field recordings, found instrumentation, jagged electronics, and synthesized chanting, to be woven into a dense narrative that appears both obsessively constructed and divinely improvised. with each consecutive track, the artist gradually constructs hypnotic patterns that 1-up the mind as it struggles to break free from a seduction of loops, steadily intensifying until reaching an apex of sound collage so cerebral that the listener might consider a post-album shower. but alas, the fourth quarter releases a bit of pressure, our gobs still lay smacked but there is a warm confidence as the psychedelic trial delivers us home to nod out. dear humans, animals and plants, ground and the esp institute present, sunizm.

ground is an osaka native, but his soul is truly that of a nomad, traversing the planet, befriending kindred spirits found in humans, animals and plants. he is exceptionally receptive to the beauty in everything that surrounds him the incidental music of a city street, the orchestral chaos of a scrambling radio, the syncopated grace of migrating birds, the simplicity of an isolated hand clap—and as his roadmap continuously unfolds, he accumulates a vast catalogue of visceral tools to musically recount his experiences. sunizm is a cross section of the artist’s process—an array of complex microcosms overlapping to comprise a thematic whole—gathering field recordings, found instruments, jagged electronics, synthesized chanting, and weaving all into a dense narrative that appears obsessively constructed yet divinely improvised. logos is the first of two singles surrounding the album and is complimented with a monster remix by bartellow (a fellow esp artist, collaborator and good friend of ground) as well as a secret weapon b-side entitled discopazzle, which is exclusive to this single release. attention all humans, animals and plants, ground and the esp institute present, sunizm.

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth. the underworld was also the resi-dence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people’s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points be-tween the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat.

sad girl delivers her first ep on mary black. nyx is the personification of the night and was born out of chaos. a shadowy figure like the mysterious sad girl herself. standing at the beginning of creation, nyx mothered aether (brightness), hypnos (sleep) and oizys (pain), being the titles of the three original tracks. keith carnal did a fantastic remix of oizys on the flip and completes this dreamy yet forceful trip from the darkness into the light and back into black

record after record, trinidadian deep provides the best in the deep house department , bringing lush pads deep moog basselines and heavy rhythms arranged around percussions and sounds to make you travel into a cosmic soulful journey this new single will please many dj s like ron trent , volcov , chaos in the cbd etc.. with the amazing releases on various labels such as neroli, future vision and now visions, trinidadian deep brings once again top quality dance music . this new ep will not disappointed you. we are extremely proud to put out 2 fantastic jams ready for your djsets. native revolution and native tribe are two tracks simply built for the deep dance late night dancefloors the a side is a rolling house track and the b side has a little afro vibe with a huge basseline. deepness guaranteed!!!!

glasgow based producer, galaxian, is set to drop the 11th release of helena hauff s return to disorder imprint. paradise engineering is an ambitiously psychedelic piece of machine mastery that will be right at home on hauffs label, with which she set out to bring punk rock and techno together in 2015. the label s name refers to the reactionary post-ww1 art movement, return to order, which called for a rejection of the avant-garde in favor of conservatism and classicism. return to disorder has embraced experimentation and genre bending with releases from the likes of children of leir, morah and umwelt. galaxian s proximity to the sharp edge of quantum chaos and belief in the anarchism of nature make him a fitting addition to the hamburg based label.

actress veröffentlicht gemeinsames album mit dem london contemporary orchestra auf ninja tune!
das projekt wurde erstmals im februar 2016 im barbican aufgeführt und von boiler room und dem lco selbst kuratiert. die musik schafft synergien zwischen elektronischen und akustischen live-komponenten, nicht nur bei harmonien, sondern auch, wie traditionelle instrumente zu hybriden instrumenten verbunden wurden. als teil der entwicklung reicherten actress und das lco ein typisches klavier an und schufen damit sounds unter mithilfe von verschiedenen objekten, wie bspw. schüsseln oder plastiktüten. die ausverkaufte show selbst war ein großer erfolg und womöglich der startpunkt, der schlussendlich zu dieser mit spannung erwarteten veröffentlichung führte. für das album nahm das lco die einzelnen instrumentalparts im spitfire studio in l.a. auf, schickte sie dann rüber zu actress, der diese spuren nach seinen vorstellungen verfremdete, wodurch wirklich einzigartige neue stücke entstanden. außerdem haben lco, neben anderen tracks aus seinem werk, actress’ „hubble“ (aus seinem 2010er-album „splazsh“) und „n.e.w.“ (aus „r.i.p.“, 2012) neu interpretiert.die entstehung des projekts war sehr stark durch das mekka des brutalismus inspiriert, dem barbican centre in london, wo das projekt uraufgeführt wurde. iannis xenakis, ein griechischer komponist und architekt, der gebäude seinen kompositionen entsprechend schuf und vice versa, war eine starke inspirationsquelle. actress und lco haben, xenakis nicht ganz unähnlich, die grundrisse des barbican verwendet, um klänge zu produzieren, die direkt von den formen des gebäudes beeinflusst waren.
erscheint als schwarzes 180 gramm doppelvinyl im klappcover, downloadcode inklusive.

(incl. dl card) agents of time are proud to present ordinary cosmic dance, the new ep on their own obscura imprint. over three tracks the bari based trio brandish hypnotic, looping melodies in techno structures with subtle trance references.

kicking off vivod s new pheasant series and making their debut on the label, uni.omni are a glaswegian duo comprising of mwx and wave energy converter. inspired by feelings of duality and the unpredictability of our dynamic world, uni.omni respond with challenging dark electronic notes, driven vocals and expansive percussive backdrops. their tracks emit contradictory feelings of chaos and calm, motion and stillness, frustration and excitement, whilst using the energy and turmoil of big city life as motivation for their first ep. acceptance resistance kicks things off with an experimental, cavernous foray that shifts to the rhythmic, subliminal undertones of metaphysical lives. both sequential self and viral dread- are attuned to empowerment, exacerbated by the strains of the modern world, with strong vocals reiterating the need for resilience in the forgotten generation.

farron gets back on shaw cuts with his fourth record, invincible shaolin a tale of double-dealing, rivalry, royalty and bad blood. manchu general pus evil quest to eradicate the shaolin tradition unfolds, cunningly pitting north and south shaolins against each other. spring break ya neck opens the clash with its rhythmic shifts and whirling synth pads. the northern masters prevail. after pus henchmen secretly kill the southern shaolin, the general blames the masters from the north, unleashing chaos. cosmicaph restores order, its pounding drums and floating melodies giving new strength to the southern shaolin. revenge must be taken. to prepare for conquer, the southern master sends three of his disciples to three masters to learn their secret weapons. sir hatch sets the pace with rolling punches, dirty synths and sharp percussion as the three disciples transform into lethal fighting machines. just before the final encounter between the shaolin, leibniz lands on the scene with his fresh interpretation of spring break ya neck, revealing to both schools that they have been deceived. joining forces, north and south battle the general and his men, led by leibnizs funky drum patterns and turbulent synth action. and the shaolin spirit lives on

smx are max o brien and sam purcell (blank mind). sleep is an intoxicating live jam recorded in october 2015 during a period of emotional upheaval, exploring themes of discordance and euphoria. on thief, koehler says: take what you need and take it anyway you can. if you get it, you deserve it, because it means you earned it. but just remember one thing: whatever you take can be taken from you too, so think long, act fast and do so with honour and pride or all will become chaos. designed by alex mccullough. mastered by beau thomas.

“i’ve been writing music and playing shows since i was 12 but had never actually released anything prior to bruises, despite the fact that all 4 songs on the ep were all written in the space of 6 months, in a way the story of the ep has been 9 years in the making. the title bloom for me captures perfectly the 6 month chapter in my life between having the idea for bruises whilst writing in the shed at the end of my parents garden back in scotland to seemingly barely a moment later waking up finding myself half way across the world in the chaos of los angeles working on fade with a producer i’ve looked up to for as long as i can remember. the making of beginnings, the start of new chapters and also the emergence from everything that has gone before.” this is bloom - lewis first ever physical release of the critically acclaimed bloom ep. clear vinyl & rose-scented inner sleeve. lewis has decided to release a physical version due to popular fan demand and to support independent record shops.

for over 4 years, david coccagna aka chaperone has been a constant part of great circles, as musician, art director, and muse. with snapback balaclava he once again fully embodies all of those roles, delivering three inspiring tracks, selecting his remixers with specific attention to their musical histories, and designing his cover art. across the a-side, chaperone scrapes away at the grit – personal grit, the grit of anxiety, and philly grit. these are meditations on loops, and loops on meditations. each one appears on the surface to be a brief quote, but time dilation takes over, and minutes later we discover that chaperone has welcomed us into and back out of his own healing moment. like chaperone s p o n d release grcr-009, the b-side of snapback balaclava is a great circles extended family affair with a trio of diverse remixes that expose and exploit fragments of the chaos chaperone so carefully contained. hitoshi kojima thrive reinterprets pulse feels swells beating with relentless syncopated rhythms and synth lines that hang like massive string drones. m//r lays down a signature percussion ensemble palette, zeroes in on otherwise peripheral elements of grit neglect, and then deftly navigates sea change with both. matt korvette and sean mcguinness of philly punk band pissed jeans open up the pit and finish the story, taking femur baseball bat to its literal and brutal potential with monstrous vocals and kicks.

mick harris arrives on lies via his fret moniker. a man who needs no introduction via his exploits in napalm death and scorn among a slew of other projects, harris returns after his lp last year, bringing fret back to life once again. four tracks of absolutely crushing broken techno, dense blasting and unstoppable chaos that lays waste to all in sight. trancers and candy ravers step aside. an unmissable record from a true originator.

proper mixed bag this one soothing, grinding, banging, and disturbing! new york city by way of miami, alex suarez delivers his debut lp the eight track autogolpe for l.i.e.s. autogolpe, is a term for military coup initiated by a dictator to take control of an existing government and suarez uses this loose idea to create the sonic equivialent of the pain, strife, oppression, isolation, and joyous freedom associated with said act. musically he expands on his prior releases for bank and primitive languages as heavy industrialized sonic beatings sit next to somber passages, oil drum slow beat tribal clangers provide a back drop for screams shooting out of the dark. musically it paints a distorted picture of world in decline, an exile from another land and arrivial to anothers in chaos or the clinging hope of something better on the other side.

following on from otis002 jon & hugh - another view, one half of the production duo and otis label boss hugh b steps out on his own for otis003. floating on a trippy biscuit is a 4 track excursion through deep textures, roaming drum machines, sliced breaks and dub echoes. with a nod to early jungle duos (rip), a psychedelic love letter to uk broken beat, a remix from otis family member sean thomas that pays respect to the uk deep scene of the late 90s and a deep, valium-laced house groove designed for post-rave reflection. otis003 is a dreamy meditation amidst the occasional chaos of the rave, a blissful trip through the styles of dance music this label holds dear. early support from: ben fester, simon caldwell, adi toohey and a load of other selectors that are keeping it deep in twenty seventeen

vent forges new alliances, as dee grinski and tolga baklacioglu joins forces to explore musical synergies on a collaborative lp release of drone alchemy, eternal rhythms and harrowing vocalisations, which explores the lightless mazes of subconscious voids, teasing at barely understood taboos. tolga s past explorations of unrelenting industrial sounds are further refined, and enforced with dees vocal talent that covers a wide range of expression - from commanding and authoritative to harrowing howls of disembodied despair. they invite us to come with on a journey towards the lightless fringes of cognisance.

lena willikens is the kind of artist whos only capable of following one path her own. in many ways, shes the archetypal selector, an unpredictable dj who often eschews all notions of genre in favor of what she describes as different temperatures, different time zones, different moods and a healthy portion of chaos. although her methods have certainly proven effective on the dancefloor, willikens also refuses to be bound by its traditional limitations.

we are not where we live, but the valley we built enjoyment through suffering. beauty in chaos. african ghost valley apply these principles to create their heavy doomsday electronics pulled in from the black bunker a d.i.y space under a multi-story car-park. separated from any scene on the surface, the record was put together by european / canadian duo childle grangier and gabriel ghebrezghi a partnership formed in the heat of heavily improvised recording sessions, where the pair would thrash out their versions of power electronics, industrial waste drops and rhythmic dub rumble to the cities homeless. keeping these raw fnal cuts away from any studio trickery, the microphone would be left on to archive feld recordings and wayward audio drops, capturing the hum and lifeblood of the bunker and the wheezing lungs of the dense concrete that surrounded them. titling this work colony, the album is a open-ended and multi-edged tool for agv to explore, allowing the listener to interpret the work as they see ft, bringing to mind images of corroded space settlements and the darkest recess of human history. you decide.

the dncn remix of san eco’s debut single finds him taking the track’s understated beauty and sending it drifting into cataclysmic chaos. the rolling bassline is swapped out for insectile swirling, the infrequent laid-back percussion for an upfront, energetic backline. it’s the ideal counterfoil to the original, minimising it’s heartfelt swooning melodies and morphing them into a crackling high-energy stomp. comes on a limited edition 7&#8243,,, vinyl with the original tune. don’t wait on it!

the second modugroove installment from the 100hz studio is a mixture of live improvised session recordings and arranged music taken also from live studio recordings. 2 tracks are collaboration projects with good friends of mine who happen to be great artists. we have 1 from richard rogers aka black booby and myself and 1 from julian giles and me aka junction chaos. this 4 track ep spans several styles of music from deep techno to graceful and emotive string dance. the focus of the ep and the label is the unusual, trying to not use usual drum patterns and 4 beat structures

as weekend circuit approach their 20th release, argentinian duo yyyy return for their second full length ep on the label to celebrate this benchmark. the yyyy modus operandi is already familiar to the initiated - expressive, raw techno experimentalism from the outer reaches. carry this blood is a collection of 4 moods and sounds, carved out with emotion soaked ambience, synapse flaring distortion and machine fracturing rhythms. repent , as the title suggests, takes no prisoners, leaving no survivors in it s wake, it is a glimpse into a tear in the time-space continuum where chaos rules. hands towards the giver is epic, glacial, spacial widescreen techno. dramatic and urgent, the soundtrack to a doomed planet collapsing from within. carry this blood bestows an eerie, cold feeling. an atmosphere of regret and loss hangs over it like a thick fog on a hillside, punctuated only by a heartbeat mimicking kick drum offering a human touch. of thrones and comfort snaps us out of the haze, the fog clears and we are faced with the frenzied electronics and thundering kick drum of this most sinister of tracks.

first release on infiltrate, 4 tracks on a electro techno tip.

with the fifth ep, solid rotation returns to the various artist output and releases depot ii. a pureremix workout with four killer tracks.on the a-side you can find a remix of lekandes as we walked through fields by benedikt frey, which will take you on a mind bending, percussive techno-trip. if you dont turn the disc, another remix is ready for the play-button. panthera krause leaves the knobsbehindwith a playful, dreamy version of vokodes wiek. on the b-side,jonas friedlich is waiting for you. he was not able to keep the handsoff two tracks. glowe and wiek by vokode were turned into a rhythmically changing,chaos mash-up,which will letyou stepforever. the final trackcomes from westlake & hayter. asmashing electro reinterpretation of lekandes as we walked through fields.

t-coy s carino - an all-time uk acid house classic from 1987. fusing the industrial clicking and whirring of the uk s post-industrial landscape with the lush, melodic, balearic inspired piano lines of the white isle and sucking us all in in the process. a true masterpiece courtesy of mancunians mike pickering, simon topping and the late ritchie close who s combined projects included quando quango, m-people, annette, a certain ratio and more. it s truly hard to believe this record is 30 years old. it can easily stand shoulder to shoulder with anything being released today. the b-side regret is also an amazing, minimal slice of punk-funky 808 driven niceness. super stripped back and with an innocent charm and poppy vibe it is the perfect foil to the latino house chaos of carino on the other side. one could argue that the a-side will take you up, and the b-side will bring you down (in the best possible way!). this classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original 1987 deconstruction records label artwork and has been remastered from sony s original sources by optimum mastering, bristol uk.